Page 43 - May2008
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96                  THE  NATIONAL '13U'T'TOn  BULLETIN    May 2008



                                                  By Barbara Barrans







                          Enamel or Paint?

                         Decorative Finish on Glass

        Q.  Isn't there a type of button that is actual enameling on glass?
             If so, how do these differ from painted, and why aren't they listed
             in the classification?
        A.  Yes, there is a technique of painting on glass with enamel. Vitreous enamel
             is powdered glass combined with a flux or medium into a paste and painted
             onto a glass surface. The decorated button is fired at a temperature hot
             enough to fuse  the mixture to the surface. The enameled surface feels thick
             and is much like overlay in its durability and appearance. This technique is
             more commonly found in Div  I glass than in Div III.
                Enameled black glass is more abundant than enameled clear and colored
             glass. White enameling is more common than colored examples, and was
             sometimes used in combination with gold luster for a more dramatic effect.
             Often referred to as "Mary Gregory" style, white enamel painting was origi-
             nated by Friedrich Egermann (1777-1864) and became very popular in  the
             late 1880s.'"  Shading was achieved by varying the thickness of the enamel
             and multiple applications were sometimes used to add details. The enamel
             was colored by adding different metal oxides.
                Paint, by contrast, is made of pigment(s) in water- or oil-based solution.
             Some painted glass buttons are fired at a relatively low temperature to
             increase durability. Div I "chemical" and "imitation wood" painted buttons
             were more than likely fired to make them more permanent. For this reason,
             the surface paint is more susceptible to surface wear than chipping. When
             found on vintage painted glass, chipped paint is an indication of an  unfired
             finish. Paint applied in bas relief (protected by the higher surface) or in  a
             line design is less likely to suffer damage. Unfired painted cameo designs
             do not fare as well.
               To differentiate between enamel and paint, feel the surface. Enamel is
             thicker than paint and usually glossy in appearance. Enamel is typically
             white, but not always.
             ""Truitt, R.  & D. Mary Gregory Glassware 1880-1990,  1992
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