Page 26 - November-December1965
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212                NATIONAL  BUTTON  BULLETIN        Nov.-Dec., 1965






















       ^  _rllustrated   ale livery  buttons  made by Firmin for:  1. Archbishop of  york;
       2. Bishop of Dulharn;  3. Bishop of Inndon; 4. Bishop of Norwich.
          The Chulch has no heraldic monopoly on the mitre emblem. It  can as
       well be the crest of a privat€ family as the badge of a prelate. The difference
       between  the two is clearly indicaLed,'holvever.  a mitre creit rests upon a rvreath,
       as should  be ex1;ected.  The mitre badge  does not. rt stands free wifn the ribbons
       unhampered.  The u'reath positions  the ribbons on a crest; or sometimes  the
       ribbons are completely  tacking.
          Among  the familles having  mitre  crests are found the names  Cleveland,
       qpaldinC, Farvcett,  Pettit,  Hal'dy, Berkeley,  Barclay and Harding.  Crests of the
       Iast three are illustlated..  No. 5 is the distinctive  mitr.e  belonging  to the Earl of
       Berkeley.  It  bea,r's a chevron between ten crosses pattee. Beikeiey (pronounced
       bark-ly  in England)  is a name  identif,ed  rvith great wealth,  porvei'  and courage
       from  medieval  times. Several  of  the  no\\: very numer.ous  branches  of  the
       family claim a mitre crest. So do the Barclays of Scouand  and those of Dork-
       ing, England,  but theirs is quite sLereotype.  The motto  ,,In  cruce spero',  (My
       hope is in the cross) on button No. 6 conflrms the Barclay  identification.
          The names  Berkeley and Harding ale connected  in  very early records.  In
       fact rvhen the Berkeley genealogy is carried  back as far  as undispuled records
       extend,  it  arrives at Robert Harding,  died 1170.  Here, No. ?, is a Harding mitre
       crest with the distinctive  Berkeley  chevron though  different in other ways.


        NEW STENtrIL PATTERNS FtrUND IN FLtrRIDA
                     HELEN  SCHULER, and JANE FORD  ADAMS
          The preliminary  u.ork w'as going  well at the Florida  State Button Show when
       Mrs. Kathleen  Bower, who  .*'as  judging,  was handed  a cal'd of stencils  that made
       her gasp. It held forty patterns, no less than twenty of which  were  unrecorded!
          Naturaliy the other  judges  came to look and the great question  was,  .,Where
       did they  come from?" After the show opened, the owner,  Mrs. C. J. Wilks of Miami,
       told the story. In her words, "A friend of mine knew an old German  woman  and
       flom her got my carton of buttons. The cards were filthy and stained.  r regret
       that r didn't know enough  about  collecting at the time to have at least saved  the
       cards or made a note of what was printed.  My mother and r have tried our best
       to think, but can only recall that they seemed  to have French pdnting rather-
       ttran German." Mrs. wilks reports fr:rther  that the box contained some of the
       $'ell known and plentiful  stencils as well as the new ones and that many  other
       kinds of chinas  were Lhere including  calicoes,  bird cages, bull's-eyes  and mounds.
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